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TV Guide Online

January 6, 2003

Roush Room: Ask Matt

Question: Who is the girl in the black leather skirt on the "50 Things to Love About TV" cover of TV Guide (Dec.14)? — Dean M.

Matt: Apologies from our editorial department to those who tried looking up the credits for that photo. It was Jennifer Garner in one of her outre Alias disguises. Speaking of which...


Question: Okay, we get it! You love Alias, you think it's great, you think it's the greatest thing since sliced bread. You heap praise on the show in practically every column you write. But enough is enough! You spend so much time trying to persuade people to watch Alias that I feel compelled to offer a counter opinion: Alias is a lousy TV show. I watched most of last season and the first few episodes this season but quit watching when I realized the show was never going to make any sense. Yes, it's flashy and fast moving but the plots are completely ludicrous. The writers don't even try to make sense of anything. They seem to feel that as long as they get Jennifer Garner into tight outfits then the plot doesn't matter, and critics like you only reinforce this thinking. And as for Garner's acting... well, not everyone considers brow furrowing and lip quivering to be great acting. So Matt, please try and realize that not all of your readers are as enchanted by this show as you obviously are. — Tee

Matt: Thanks for the reality check. But I'd have to be nuts to be under the delusion that everyone shares my fondness for this show. Just look at the ratings (though it didn't help that it aired against The Sopranos for the first half of the season). Clearly this isn't to everyone's taste — and I'm very curious how it will be received when an episode airs after the Super Bowl, delivering the largest lead-in imaginable.

As for Alias's recurring presence in this column, it reflects the number of inquiries I get each week. I have to believe some of that has to do with the fact that, like 24, the show's a great deal of fun to watch, think and argue about. Among those who like it, of course. And, to show that there just isn't pleasing some people...


Question: You've snubbed Alias! In your recent list of the best TV shows of 2002, you placed Alias in the No. 4 slot. I know that it's an honor to be mentioned at all, but in my mind, Alias is simply as good as it gets. J.J. Abrams has managed to create a fantastic and complex yet believable world filled with characters that we can't help but laugh and cry with. With that in mind, I'd just like to hear, in your opinion, what makes the shows ranked Nos. 1, 2 and 3 (24, CSI and Curb Your Enthusiasm) better than my personal favorite. — Meredith

Matt: You're asking the impossible. The hardest thing about compiling any list is trying to come up with an order. I will stand by placing 24 at the top of my list, though. Much as I love Alias, I find 24's dark ruthlessness even more fascinating, not to mention the triumphant way it has fulfilled its ambition of sticking to the stylized ticking-clock format. I didn't want to put two such similar shows together as No. 1 and No. 2, so I ranked TV's (deservedly) most popular show next. And I wanted to put a comedy high up, so that explains the truly hilarious and original Curb at No. 3. Making matters even trickier, I had to write this list before watching the devastating season finale of The Sopranos. After I saw that, I wished I could have put that show higher than No. 6. (I probably would have flipped it with CSI.) It's all very arbitrary and imperfect. But I honestly think all of my top-10 picks are a No. 1 choice in one way or another.


Question: I saw that you were on the panel deciding on the American Film Institute's top TV programs of the year. How did Alias not make the cut? It is far better than The West Wing. I know you love Alias and do not like Wing, so what happened? What was the voting process like for the AFI list? — Larry A.

Matt: I can't really get into specifics, because each of the panelists (a mix of industry professionals, critics and academics) signs a confidentiality agreement — which would normally rankle me, but after participating in this fascinating procedure for the last two years, I see the point. The discussion is open and at times brutally honest, and keeping the specifics private is a point of professional courtesy. Regular readers know where I stand, so I think it would be no surprise that I fought for Alias (and 24, another disappointing no-show) at the expense of The West Wing. But it should also come as no shock that the entertainment industry itself holds Wing in very high regard, even during a less-than-satisfying year. I think everyone on the panel won some and lost some that day. Personally, I hope AFI's acknowledge of Gilmore Girls has some impact upon other awards organizations.


© TV Guide Online 2003


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